It’s here! For those artists who spend loads of time trying to figure out why their art is not coming out the way they want it to be, making thumbnails (or making studies) is the thing for you! It’s also great of getting rid of the habit of zooming in.
Lighting is often underestimated in illustration – a lot of illustrators and beginning artists look at it as a decorative element, or as purely a tool used to showcase the form. A lot of beginning artists are afraid of shading and of using harsh lights. But even with the lighting mastered, even with perfect rendering and good understanding of form in space an integral element of the light remains missing in their pieces.
Look at the samples above: the same character’s head has been used in every thumbnail, and the only thing I have tweaked was the cropping and manner of light used on the features. Every single one of these frames tells a different story and gives off a different vibe simply by using light to focus on the features I want you to focus on.
Read how lighting can be used to enhance character, mood, and interaction within your pictures below the cut.
Okay so here’s the lowdown. I found 4 sets of medium format negatives while I was thrift shop hunting a few weeks ago. They were sitting in a box of old vintage photographs in these plastic sleeves, and from what I could tell, they had been taken sometime in the 50’s. So obviously I brought them home, and today finally had them scanned in, and holy wow they are beautiful!!
NOW this is where I need the Internet’s help. I would absolutely love to find the women in these photographs/the photographer who took them. The only info I have is that the negatives were found in a thrift store on Hull St in Richmond, VA. They are medium format, and judging by the style of dress, made in 1940-1950. The owner of the thrift store had no idea where they came from. I’m posting the best/clearest scans of the images, so if y’all could reblog the shit out of this, I’m hoping we can find the owners of these amazing images.
By the way, this is for artists who want to make different colors for haircurts. Only one contradiction: You need to keep your layers. All separated(So no shadows with highlights.)
It is supposed to work, depending on your way to color,it might not look the same as Chino’s. I know I do that mistake, too.
it indeed is western/european centric, I’m sorry for that, but for other cultures I simply don’t have so many references
ALSO note that most of the pictures show historical clothing from the upper classes or more festive clothing of the lower/working class because normal working clothes wouldn’t survive for such a long time, and the clothes were often re-used over and over again!
Izzie’s tumblr archive 